In the longest scene of this play, a foggy haze surrounds
Hamlet’s sanity, as he claims to be mentally capable when the moment calls for
it, but when presented with the evidence, the audience is forced to believe
differently. From previous scenes, the audience is supposed to perceive Hamlet
as a very intelligent, yet fragile character. Hamlet unceremoniously declares
his immense sadness over his father’s death and even goes as far as to
contemplate suicide. At first, the audience is not meant to view Hamlet as a
mentally stable character, especially after his shaky encounter with the ghost.
Regardless, this scene begs the question: is Hamlet truly insane?
When Polonious encounters Hamlet by himself in one of the
main hallways, he interrogates Hamlet attempting to yank bits and pieces of
information that prove his vile love for Ophelia and the growing madness inside
him. At one point, Polonious merely asks for Hamlet to step outside, to which
Hamlet replies in a manner that forces Polonious to question his sanity: “How /
pregnant his replies are. A happiness / that often madness hits on, which
reason and / sanity could not so prosperously be delivered of”. Certainly
Polonious is capable of deciphering a mad fool when one considers his
experience in politics, but shortly after the conversation, Hamlet reassures
the audience that his display was merely an act saying, “I am but mad
north-north-west. When the / wind is southerly, I know a hawk from a handsaw”.
Hamlet claims that he is capable of displaying his madness and insanity only in
certain occasions, defending himself against any accusations that provoke his
alleged insanity. On a deeper look, Hamlet’s ability to observe his
surroundings and make acute judgments suggest he is mentally capable most of
the time. In the end, due to this play’s inherently tragic nature, the haze
surrouding Hamlet’s mental abilities will thin out and become crystal clear;
the question is when that immediate transition will occur.
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